Materials of Alexey Shipunov

Minot State University. Department of Biology
Marine Biological Laboratory
University of Idaho, Moscow
Moscow South-West High School
Royal Botanic Gardens, Kew
Russian botanical forum
SBO
Russian Botanical Society
Botanical Society of America
R-Russian project
Moscow Society of Naturalists
VZMSh
Moscow State University, Biological department

English | Russian

A Practical Guide to Print and Material Choices for New Product Packaging in Europe

When a Barcelona skincare startup planned its first SPF serum launch, the brief leaned hard on credibility: clinical, clean, and protective. They loved the amber bottle for light shielding and wanted the carton to whisper science, not shout. As their press partner, we were asked to keep the story intact from shelf to doorstep across retail and e‑commerce—without drifting from EU compliance.

Based on insights from pakfactory projects and the reality of European converters, I’ve learned that the fastest way to lose a brand’s narrative is to treat print like a commodity. Substrate, ink system, and finish choices carry brand signals as strongly as color and type. Shoppers spend around 3 seconds scanning a shelf; packaging either reads clean and credible in that window or it doesn’t.

This guide walks through what worked—and what nearly tripped us up—for that launch. You’ll see how we used Digital Printing early, moved to Offset for scale, targeted ΔE tolerances that actually hold on different materials, and tuned finishes for both shelf appeal and abrasion from ship tests. None of it is universal, but it’s a practical path you can adapt.

Translating Brand Values into Design

The brand wanted a science-forward tone—quiet Cartesian grids, tight typography, no gimmicks. On pack, that meant disciplined hierarchy, controlled contrast, and a matte tactile. We built a type system with clear information tiers and a restrained palette to make SPF strength, usage, and warnings pop without visual noise. In short: let function carry the premium feel and avoid ornamental effects that fight the message.

The finish is where things got interesting. A Soft-Touch Coating communicates calm and helps with grip, but it can scuff in transport. We tested a matte OPV plus Spot UV on key data points; it kept the clean look while improving scuff resistance in our courier simulations. No single finish is a fix-all—Soft-Touch, Varnishing, or Lamination each solves a different problem. Your choice should echo the brand voice and the logistics reality.

We also had to respect rules of attention. On crowded shelves, products get about 2–4 seconds of buyer glance time. That’s not much, but it’s enough if the focal points are clear. Rather than a decorative foil panel, we used Spot UV to subtly highlight dosage and SPF claims. Foil Stamping would have added visual weight the brand didn’t want. If you’re packaging a new product with a clinical promise, quiet confidence often beats loud embellishment.

Material Selection for Design Intent

Substrate choice carries both visual and compliance weight in Europe. We selected an FSC-certified Folding Carton with a silky, low-sheen topcoat to keep neutrals stable and text crisp. For labels, a low-migration Labelstock paired with a Glassine liner worked well on those amber bottles. It aligned with EU 1935/2004 and EU 2023/2006 guidance and supported the narrative around protection—right down to the sun protection product packaging amber bottle effectiveness the team cared about.

Ink system selection followed the same logic. Early pilots ran Digital Printing with Low-Migration Ink for speed and artwork iteration. For national rollout, Offset Printing with UV-LED Ink lowered kWh/pack by roughly 15–25% compared to some conventional UV setups and gave us stable solids. We set ΔE targets at 2–3 for brand colors on carton and 3–4 for labels, acknowledging that ink-film thickness and substrate whiteness would shift appearance.

One caution: amber glass already blocks roughly 90% of UV in relevant ranges, but your outer pack still faces store lighting, abrasion, and moisture. That’s why a matte OPV often beats a delicate soft-touch in real transit. If your team is asking “how to packaging your product for shipping,” start with a substrate-finish combo that tolerates carrier handling and humidity before chasing exotic effects.

Color Management and Consistency

Color drift across carton and label is the classic trap. We aligned on ISO 12647 and Fogra PSD targets, built press profiles for both Digital Printing and Offset, and created a shared palette with substrate-corrected LAB values. Even then, viewing conditions and bottle tint can skew perception. We pulled round after round of press-side proofs under D50 to keep the team honest. Cross-site experience—including a helpful comparison set from a pakfactory markham pilot—reinforced the need for per-substrate LAB definitions, not just CMYK recipes.

Here’s the math we used to keep everyone calm. On cartons, we held ΔE (CIEDE2000) near 2–3 for brand grays; on labels, 3–4 was realistic. When early label trials drifted to 5–7, we saw the mismatch in daylight. We tightened ink density control and plate curves, and FPY moved from about 82% into the 90–92% range over three production weeks. This wasn’t magic—just consistent measurement, a cleaner ink sequence, and disciplined make-ready.

Trade-offs exist. Extended gamut can help range at short run, but for this design’s neutral tones, a conventional CMYK with a gray-balance strategy was steadier. Digital held fine for pilots; Offset owned the long-run Folding Carton work. If someone is tempted to hunt for a “pakfactory promo code” to save pennies per unit, remind them that clear ΔE targets and substrate-specific profiles usually yield larger, more reliable savings than coupons ever will.

Unboxing Experience Design

Retail and e-commerce add different stresses. We built e-comm shippers in E-flute Corrugated Board and ran ISTA Procedure 3A: five drop orientations with corner impacts. The first pass at a delicate soft-touch carton showed edge burnish and minor cracking; we passed 4 of 5 drops. After switching to a matte OPV with a subtle Varnishing bump on all edges, we hit 5 of 5 consistently. If your team keeps asking “how to packaging your product for shipping,” start by protecting edges and high-contact zones; pretty finishes won’t matter if they arrive marred.

The last detail: consistency between bottle, label, and carton in the customer’s hands. The sun protection product packaging amber bottle effectiveness is part of the value story, so we carried the protective theme through the unboxing—tight-fitting internal trays, no rattles, and a neat tear-strip for clean access. Waste rate on the line landed near 5–6% (down from ~8–10% during pilots) once die-cut tolerances and gluing recipes were dialed in. Payback on tooling and testing penciled out around 12–18 months. If you’re packaging a new product with protection claims, the tactile moment needs to reinforce that promise. And yes, we closed the loop with a final shelf-and-ship varnish choice that still felt premium without being fragile—exactly the balance we aimed for with pakfactory learnings in mind.

fedexposterprinting
ninjatransferus
ninjatransfersus
Kssignal
Hkshingyip
Cqhongkuai
A. Shipunov

Everything published within this Web site (unless noted otherwise) is dedicated to the public domain.

Date of first publication: 10/15/1999